Monday, 19 September 2011

"Never Knowingly Undercreative"

Once again, the retailer John Lewis have come up with a fantastic ad using great music and 'the power of retro' to place their flag in the sand. They have been, and continue to be the retailer when it comes to buying electrical goods. A great idea, well executed.

And we like those!


Saturday, 10 September 2011

9/11 - 10 Years On...

The 10th anniversary of 9/11 is naturally getting enormous coverage on TV and radio around the world. The numerous documentaries bring back the true horror of the day, and the sights and sounds still shock me, even 10 years on. In fact, I doubt they'll ever fail to shock me.

Radio stations all over the world are reflecting the anniversary of a day that undoubtedly changed the world.

Matt Deegan alerted his Facebook friends to a particular piece of audio that he'd discovered, which has been posted on the 98.5 KLUC website. They're a CHR station based in Las Vegas. (Big hat-tip to Matt)

10 years ago there was a version released of Heaven by DJ Sammy featuring the words of a 5 year old girl who lost her father in the 9/11 attacks. This new version marks the 10th anniversary and is the updated story of a girl from aged 5, right the way through to today, and her high school years.

The power of emotion is one of radio's greatest tools, and when meaningful words loaded with feeling, and an evocative piece of music are blended... the result is breathtaking.

As the KLUC guys say, we bet you can't keep a dry eye through it. I certainly couldn't.

Sunday, 4 September 2011

Audio of Quality and Distinction


Here’s a self-evident truth; audio generally has to be interesting to grab the attention of the listener. Whether it’s a radio commercial, a DJ talking or even a sonic logo... it needs to cut through fairly quickly to make me want to give it some of my ‘ear time’.

This should also be true of podcasts.

The reason I mention this is I’m currently working on a project with my colleague Dan McGrath, advising a company wishing to develop an audio podcast strategy. They work in the technology sector, and as part of my research I thought I’d listen to some of the other ‘techy’ podcasts that are out there and seemingly doing well at the moment. And boy was I surprised.

The vast majority of them are really badly produced, badly presented and just badly thought out. Sorry – but it’s true.

Now, I know that I’m applying radio production standards to what are (mostly) plainly not radio shows, but I don’t think that’s a genuine excuse for badly produced audio. The same principle should still apply. It should interest the listener and grab their attention, and make them want to listen more, or subscribe or come back for more at a later date. Many of them had me hitting the stop button. And, for the record, it’s not that I wasn’t interested in the subject either. I’m as geeky about technology as the next geeky guy with glasses!

So do the listeners of these podcasts merely ‘put up’ with the poor quality, as that’s the price to pay for getting niche content? I guess so. Or is it the case that the very ‘DIY’ nature of some podcasts are intrinsic to their appeal? Has the democratisation of the means of production meant that now anyone with a laptop and a £9.99 mic from Maplin can be an ‘audio content producer’, and therein lies the appeal? Is the allure for listeners to these that the media is no longer controlled by the elite, but by the masses? Possibly... but if the masses could make it sound a bit better and try a bit harder, then that would be lovely thank you very much.

I’m looking forward to the session at the forthcoming nextrad.io conference called “Top 5 Reasons Why Podcasts Are Different To Radio” presented by Francesca Panetta, who is Head of Audio at The Guardian. She should know, as she used to work for BBC Radios 3 and 4, and is now heading up the Guardian's audio offerings, which are on the whole pretty good. I hope she’ll point out the positive differences that podcasts have with radio, but still at least want to maintain a minimum quality threshold.

I really like podcasts. The on-demand world of speech content is now a very rich and varied one, with every conceivable topic covered, and the fact that more and more people are consuming audio content is a great thing.

And although podcasts do have differences to radio, isn’t it funny how some of the most popular podcasts with consumers are just re-packaged radio shows, and if they’re not... they have some really solid radio production techniques behind them.

So – a plea to larger FMCG brands who have podcasts, and other corporate or semi-corporate entities who have branded audio content in this arena. Please do think about how the quality of these reflect on your brand, and don’t settle for something that’s sub-standard just because “it’s only a podcast”. Produce quality and they will return, and return again.

And then the relationship with your consumers can really begin.

Thursday, 1 September 2011

Back To School...


September always feels like the 'back to school' month after the long, hot, balmy summer that we had here in the UK. Well... not really, but anyway...

And with that comes a glut of conferences to attend, clients to see and projects to develop.

At the tail end of August, it was great to hook up with all the guys from P5 in Norway at their summer conference. It was an opportunity for all the team to be updated on the current state of the market, new initiatives moving forward and what lies ahead for 2012. But even more than that, it was a great ‘team’ event. It’s easy to be cynical about these kind of get togethers, but I witnessed first-hand the great effect that making members of your station ‘walk the plank’ can have!! If your station doesn’t do events like this every now again, start doing them!!

There’s a good buzz about the nextradio.io conference in London in a couple of weeks time. There’s a fantastic line-up of speakers and I also have my allotted ‘9 minutes’ to deliver some sage words to the assembled crowd. I hope this event proves to be an annual get together, offering a forum for new, fresh and innovative ideas in radio.

Cyprus is a country I’ve not been to before, and I’m really looking forward to speaking at the ‘Radio Breakfast’ at the end of September organised by Dias Media, who are one of the big media players on the island. Any opportunity to drive home the benefits of using radio as a great medium for advertising is one that I can’t resist, and they tell me the sun always shines in Nicosia this time of year!!

Denmark’s annual get together of the good, bad, and erm... ‘damn good looking’ of Danish radio takes place at the start of October. Radiodays Denmark (from which Radiodays Europe sprung from) is always a great day, and the fact it’s combined with the Danish Radio Awards on the same night ensures it’s a hell of a party. I’m doing a session with the PD of London’s Number 1 Commercial station – Magic 105.4, Pete Simmons. We’re looking at “The Magic Behind Magic” (the title was too easy I know) and we’ll be dissecting the factors that have made that station consistently perform well in a tough market.

So, in between all that, I think some visits to client stations in Austria and Slovakia are in order, as everyone is now ‘back to school’. Plus **plug alert** my Saturday morning show on Absolute 80s (‘Cafe 80s’) which I present along with Dan McGrath, is going great guns and keeping us busy... so I guess that it’ll be a pretty busy month ahead.

Plus there’s another very exciting project in development... but more about that when the time is right!

Welcome ‘Back to School’ everyone!!

Wednesday, 17 August 2011

Why Music Matters

Ever wondered why music matters?

If you work in music radio, then here's a nice reminder of the power of music, courtesy of the greatest band to ever record together...

Tuesday, 16 August 2011

Big Mistake?

When is an idea burnt out and when does it just need a new twist, or a little tweaking to reignite interest in it?

This week in the UK, Big Brother returns and it’s over a decade since it first hit our screens on Channel 4. After the ratings started to flag and the idea wore a bit thin, they dumped the show, for it then to be picked up by Channel 5.

They’re debuting with a series of ‘Celebrity Big Brother’, and of course with different hosts and a different team working on the show, we can expect the show to have a somewhat ‘new’ feel.

But is the format worth hanging on to, or is it just a turn off?

In radio we face similar dilemmas on a regular basis. It may be related to a particular benchmark, or perhaps a Morning Show that has seen better days, or even the format for the whole radio station.

So, when is it best to add a twist or something different... and when is it best to just say goodbye?

Fans of Big Brother in the UK will no doubt remember that producers always liked to add a twist to each series to refresh audience interest. Viewers were treated to Live Tasks, Big Brother going ‘evil’, Secret Missions, an All Female House, Fake evictions, and even the public choosing the final housemate to enter the house.

Over time, our attention was kept by this simple process of keeping the basis of the format, but adding something fresh to it.

This can work in radio too. Take your biggest benchmark. Is it time for a twist to be added to it? How could an extra element be added to make it more entertaining? What could that twist be?

Think about the big station promotion that you’ve done for the last 5 years in exactly the same way. Sure... it works, but would the audience be more interested in it if you added a new surprise element to it? What would that be?

If we’re thinking about a programme, the twist may be something more permanent. Is the Morning Show getting a bit too ‘set in its ways’? Would a new character or person on the team add a different dynamic? Could it be a younger female added in to make an impact? Maybe a new travel person? Again, you don’t always need to throw the basics away if it’s not quite working. Adding or even taking away an element may do the trick.

But there are some occasions when something’s run its course. If your brand thrives from always bringing fresh ideas to the audience, hanging on to something ‘past its sell-by-date’ can do your brand image some serious damage.

It might be that old promotional idea you trot out every summer, or that benchmark you’ve had on air now for 4 years without it really making an impact. Be brave. Cast aside dead wood. Don’t carry a 'corpse' of an idea around with you.

There are plenty more great new ideas, formats, and promotions out there... so never feel like you’re committing a sin if you get rid of something. Even if the Sales team tell you that they can still get a sponsor for it!

The trick is, of course, to get rid of it before it becomes an ‘infected toe’ and starts to spread its rot through the body of your brand.

I think that's what Channel 4 did when they axed Big Brother in 2010. Yes, it was still pulling in 3 Million viewers and had a lucrative sponsor, but it had become a tired format that was symptomatic of a channel that was in danger of losing its way. They jettisoned it; just in time in my view.

So, as the new series debuts this week on a new channel, it will no doubt get some 'half-decent' viewing figures, and generate some sponsorship revenue for the broadcaster, but I’d rather be in Channel 4’s place... of working on the next new idea, the next creative moment that can shape the brand for the decade to come.

So – remember to regularly add a twist to keep your ideas fresh. But also know when you should move on.

Wednesday, 3 August 2011

"You Spin Me Round..." - RAJAR Spin


With the publication tonight of the latest RAJAR results for Q2 2011, there will no doubt be a flurry of activity and the ‘in house’ radio station Alastair Campbell’s will be doing their best to spin the results one way or another. If your results are great, that’s perfect... you can let your figures do the talking and can quite rightly shout out loud. All power to you and your message.

If however, you get a tricky book, (as we all do from time to time) then here are some firmly ‘tongue in cheek’ methods you can use when putting your press release together to send off to the local paper.

If you’re not Number 1 overall, just find a demo you’re number 1 in...
E.g. “We’re the Number 1 station for in our area (Men 50-59)” And be a bit generic about it all too. Paint the impression of success without quantifying it too much.

Confuse people with terminology...
Some journalists at local newspapers aren’t that clear on the difference between reach and share, so use the words ‘listeners’ and ‘listening’ quite liberally over your press release just to confuse them a little, and again create that sense of ‘victory’! E.g. “Listening at key times has increased once again, with even more listeners tuning in every week too.”

Find an increase that sounds better when expressed as a percentage...
For example, if you’re share in a particular demo has gone up from 5% to 8%, then you can quite rightly claim that “We’ve increased listening by 60% with women aged 30-39”. Sounds impressive, though in reality it may mean very little, and your overall share may gone down.

Change the range...
If you’re down quarter on quarter, then take a look at the year on year figures, and see if there’s an increase there. Then talk about the important long term growth of the brand. Or just mix it up a little! E.g. “More people are tuning in to XYZ-FM than this time last year, with an impressive increase in listening over the last 3 months to Freddie and Barbara in the Morning”.

Compare Apples with Apples...
If you’re a commercial station, make your station sound even better by just forgetting the BBC! After all, they’re a “different animal” aren’t they? In some markets, the BBC are clear market leaders with BBC Radio 2, or in London with BBC Radio 4. If that’s the case, just use the phrase “We’re the Number 1 commercial station in the area”, which for many will be perfectly true.

Star comparisons...
If your station has more listeners at breakfast time than say Chris Moyles, or Chris Evans... stick that in your press release, as comparisons with national personalities always make great copy for local newspapers. Plus, the local papers don’t really get stuck in to TSA size that much. You’re judged by the company you keep! E.g. “Debbie and Dave at Breakfast now bigger than Chris Evans”.

Include a quote...
Detract attention from generally bad figures by making up an anodyne quote from the breakfast show team. E.g. “Phil from Phil and Morning Crew said ‘I love getting up at 3am every day to entertain the people of Scunthorpe. It’s the best job in the world. We’re delighted that even more people are hearing about our show and we’re making it more successful every day. And don’t forget, the Mystery Word jackpot is at £63 tomorrow morning!’... etc...”


Ultimately, these kind of press releases are really designed for non-industry types, with the hope that people outside the sector will get the impression that your station is successful. What is it they say about perception being reality? And why not. All brands need to paint the picture of success to a certain degree. Consumers like to be associated with winning brands that are going somewhere. It confirms they are making the right choices in life.

Those in the radio industry know the tricks, so can spot them when a rival station uses them. We all know if a station is doing well or not. And as long as everything written is within the rules, and you’re not making stuff up... that’s kind of OK in my book. It’s the game we all play and will continue to play. Spin is nothing new.

If you spot any great examples, do let me know by posting a comment below!

So good luck to all UK stations today. I look forward to reading later that “more people than ever before are tuning in!”