Showing posts with label Chris Moyles. Show all posts
Showing posts with label Chris Moyles. Show all posts

Wednesday, 26 September 2012

The New Radio 1 Breakfast Show with Nick Grimshaw - First Impressions...



Radio Today asked me to write an opinion piece for them about the new Radio 1 Breakfast Show with Nick Grimshaw. Here's what I wrote...

“You only get one opportunity to make a first impression... so make it count!” someone once said to me. It’s true, which is probably why getting your first breakfast show ‘half-decent’, is pretty important. At the same time, everyone in the industry knows that a first show may be pretty unrepresentative of what is to follow over the next few months and years.

So how did Grimmy do then?

I tried to listen to the first show more like a regular listener might, dipping in and out. I must have tuned in at precisely the wrong moment though, as the very first thing I heard on this “Now with Added Music” breakfast show was a link that quite possibly ‘Moyles-eque’ in its duration. It was 12m 22s long folks.

Now I wasn’t expecting all 30 second links and 5 in a row, but was this the right approach for day 1?

And as I carried on my listening I got the sense that the zoo / team format was still very much there, but just toned down a bit. Grimmy was understandably using them as a crutch, and threw to them quite a lot. They, on the other hand, were obviously under some sort of instruction not to engage too much with him on-air. So the result was something that, let’s say ‘lacked a little flow’. The chemistry is not there yet for obvious reasons.

Content wise, it already felt younger with his obligatory One Direction mate making an appearance and a Justin Bieber pre-record. This in itself may be enough to drive the older end away, which is of course part of the desired effect.

There’s no doubt that Grimmy is a cool, well-connected guy but I worry that too much ‘showbiz’ might become a bit grating after a while. Mentioning his “manager” on-air and name dropping the people who had got in touch to wish him well is so far removed from the ‘down to earth, bloke in the pub’ shtick that Moyles did, it’s going to take some getting used to. I know he’s a good Northern lad, and getting the balance of ‘enough celebrity’ and ‘too much celebrity’ is tough, but it’s certainly something for him to watch for.

One other thing; he needs to actually tell some stories and have some content. At the moment, it’s all very waffley and lacks any substance or direction. He takes 2 minutes to say what could be said in 15 seconds. That’s something that needs to be addressed pretty quickly I feel.

Now of course, all the above is grossly unfair. Judging a breakfast show based on a couple of outings is more than a little unreasonable, but it certainly is how listeners do it. They don’t always allow the time a show needs to get into its rhythm. But let’s revisit it in 6 weeks and see how he’s doing shall we?

I think Grimmy’s a safe pair of hands for the show. He won’t be overly successful, and he won’t be so bad that he’s forced off either. He’ll probably do it for 3 years... max. But will he provide the injection of energy and creativity that broadcasters like Moyles and Evans brought to the show? I rather doubt it. But he is mates with One Direction, in case you didn’t know.

Sunday, 16 September 2012

Goodbye to The Saviour...


I listened to the last Chris Moyles Show on Friday. It was, as you would expect, a suitable send off for a broadcaster whose impact on Radio 1 is undeniable.

He arrived as ‘The Saviour of Radio 1’ and it’s fair to say that he was true to his word.

He took the team / zoo format that Evans had used a decade earlier, gave it his own style, and ran with it, growing the ratings and audience loyalty along the way.

I remember doing a session with Andy Parfitt at a conference just after he left Radio 1, and I asked him how good a broadcaster he thought Moyles was upon reflection. He said plainly “He’s the best.” And you can see why he would say that.

He was able to create great radio moments out of seemingly nothing; bring mega-stars right down to earth with engaging interviews; understand that doing a breakfast show is all about ‘the show’; posses the right balance of ego and fragility, but with the talent to back it up; and draw listeners in day after day with a classic approach to the ‘soap opera’ of team radio.

The best talent always has its haters, and for some Moyles was just not their thing. But the fans loved it. Really loved it. You could hear their devotion when they spoke to him on-air, or you could read it on the messages on Facebook.

Everyone had an opinion when you mentioned his name in the pub. And you can ask for no more than that. People knew him and had an opinion of him.

Yes – the critics in the industry would always point to his age (38) and how he connected more with listeners in their 30’s and 40’s than in the core Radio 1 demo. And there’s no doubt that at times it was an obvious problem for the network, particularly when he’d rather play T’Pau than Skrillex.

But to do what he did for 8 years and 8 months takes enormous talent and commitment. And for that we should applaud him.

I hope he gets back on the radio soon. I know several stations that want him. UK radio is a better place with Chris Moyles on it.

And if you missed his 'Goodbye Song', here is it is, in a typical understated Moyles fashion...


Thursday, 12 July 2012

Goodbye Chris...


So, Chris Moyles is leaving the BBC Radio 1 Breakfast Show, having been it's most successful and longest serving host.

Over time, his contribution to UK radio so far will be put into perspective, but undoubtedly he will go down as one of the greats.

His replacement, Nick Grimshaw has a tough act to follow.

I liked the way Chris delivered his news on air. Scripted - of course... (wouldn't you!) but honest, and heartfelt... the way class broadcasters can be when required.

I for one, hope he'll remain on radio, and not be lured totally by the deceptively bright lights of TV.

British radio would be a poorer place without him.

Wednesday, 24 March 2010

Radiodays Europe - Rewind

The first ever ‘Radiodays Europe’ took place last week in Copenhagen. Designed to fill the gap left by the increasingly redundant NAB Europe, it provided a fresh perspective to many of the issues being discussed right around Europe. The conference was really well attended with more than 400 delegates from over 30 countries.

So what did we all glean from this orgy of European radio chit-chat?

Well, I think it’s fair to say that one of the main themes was addressing how radio evolves in an integrated media world, where there are multiple platforms for content consumption. Radio is at a huge crossroads and this was communicated passionately and eloquently by Tim Davie, Head of BBC Audio and Music, who quite easily dismissed the notion that radio has no option but to seek a digital future. It can’t be the only medium just to bury its head in the sand and pretend FM will do just fine thank you very much.

Many, including myself, agree completely, but there are always a few nay-sayers. When even the Book industry is turning to digital delivery and technologies, it’s time for us all in radio to embrace the digital future.

The debate about which technologies will become dominant is somewhat immaterial, as the most vital thing for radio is quality content... a sentiment echoing throughout the conference. Quality radio needs to be available to our listeners on as many platforms as possible and making it easy for listeners to find and enjoy our content is the next big challenge.

The UK Radio Player, an initiative between BBC and Commercial radio got a good reaction when demonstrated, but talk in the corridors was very much ‘we couldn’t get that kind of collaboration in our country’. Well, guess what? You can! It just takes the each domestic radio industry to try and put aside short term differences and focus on the long term survival of radio, let alone growth. Short termism would be a nail in the coffin of radio.

The topic of visualising radio as well as interacting with audiences via social networks was also discussed in many sessions. There is no doubt that devices in future will all have screens and we need to put something on them, so working on solutions is important. There are already lots of great examples out there of good work in this field. Videoing great bits of audio content and putting them online for a deeper listener experience is NOT bad TV. It’s something completely different, and again, some Luddite radio purists said that they never want to see a camera in radio studio in order to preserve the ‘magic’ of radio. Well, I’m afraid the world has moved on and radio is a bit different these days. “Play Misty For Me” was 1971!!

There was great case studies and stories of radio using social networking to get a richer experience for listeners and to spread the brand and content from it to a wider public. I think a lot of stations will be revisiting their Facebook strategies after hearing some of the presentations last week... and quite right too. It’s a massive tool in the battle for ‘share of ear’.

And finally, let me mention Rachel Mallender and Marc Haberland from BBC Radio 1 and 104.6 RTL Berlin. They both over see their respective breakfast / morning shows and shared the secrets to success in a really entertaining session that I produced and hosted. Everyone was surprised that RTL has up to 16 people working on the morning show! Investing in content in the morning has resulted in a very successful show being on the air for 19 years!

Moyles has done nearly 7... and realistically won’t get to 19 years on Radio 1... but it was great to hear Rachel share her thoughts and talk so passionately about producing the breakfast show which is such a well-oiled machine these days. Hopefully everyone enjoyed the session as much as I did!

So, overall I think it’s fair to say Radiodays Europe was extremely well received. Conferences can sometimes be a bit dull... (well, they can can’t they!) but this was an important gathering at a key time for the radio industry in Europe which actually addressed many of the hot topics. We sometime forget that we have more in common than divides us, and sharing best practise and discussing the issues is one of the best ways to create a bright future for us all.

Monday, 7 September 2009

Good Morning Britain!

So... the UK’s most popular breakfast show is to get a new host. The widely predicted replacement of Terry Wogan from BBC Radio 2, with a certain Mr C Evans (of the same parish) isn’t exactly shocking in itself, however there are a couple of thoughts worth pondering today;

Moving younger... again!
There’s no doubt that Chris’ show will appeal to a younger demo than Terry’s. Just as there is more pressure on the “chilling” BBC to justify chasing younger audiences and generally being successful to excess (and to the detriment of commercial rivals) , they seem to stick two fingers up at the critics and announce a move that undeniably illustrates the point. Let’s not forget that in the last decade, Radio 2’s reach among 15-34 year olds has risen by 62%!

Certainly the show will turn off a section of the audience (mainly older Daily Mail readers!) who will still have the perception of Chris as a drunken buffoon who hangs out with Gazza all day and night. The truth lies a long way away from this, but Chris’s ‘youthful exuberance’ is an image he will retain for many years to come.

I believe the show will attract listeners from commercial radio... and probably more than it drives away from its existing base. Potential losers could be Absolute Radio, who despite having a very solid and listenable show with Christian O' Connell, may find that the offer of a big personality with a strong breakfast show track record, combined with a broader mix of music genres is a very tempting proposition for listeners. The somewhat ‘disenfranchised’ older listeners to the heritage ILR stations, (like Key 103 and Radio City) and newer regional offerings (like Real Radio) may also find that Radio 2 starts to pull at those all important 40+ demos.

Transition
After what will inevitably be a backlash from ‘middle-England’ / “disgusted from Tunbridge Wells” and a general outrage at the appointment of Chris to the role, this will die down (as it did shortly after Chris took over Drivetime) and people will get on with judging the show by what comes out of the speaker in the new year.

The differences in style between the current Breakfast Show and the Drivetime show on Radio 2 are vast. So the big question is... Will Chris adapt his style to the new time-slot to smooth the transition, or will he re-define the style of the ‘sound of breakfast’ on Radio 2? My view is he will do the latter, and shake up the show. Out go the ‘TOG’s’, and in will come a more bouncy, jaunty style of presentation complete with trademark ‘feelgood’ music beds and ensemble of characters. It’s a great formula that Chris has used repeatedly well throughout his radio career, and I don’t expect him to change now. Although Chris won’t go out of his way to alienate the loyal listeners to Wogan, I’m certain he won’t shy away from making the show his own within a pretty short space of time.

Salary
It won’t take long before questions are no doubt asked in the House of Commons as to “how much of licence fee payers money is being used to pay for the services of Mr Evans?” Will he be paid more than commercial radio could currently muster for a big breakfast show? Do BBC salaries distort the market? Well – I’m certain that if Mr Park and Co at Global really wanted a networked breakfast show and they felt Chris was the man for it, they would be able to find the money somewhere! (Mind you – can’t imagine Chris appearing on Heart somehow!) The cost of talent is a whole subject in itself, so I’ll save that one for another posting... OK?

Timing
I smiled a wry smile at the timing of the announcement this morning. It is no accident that Wogan chose to announce this on the very day that Chris Moyles becomes the longest serving Radio 1 Breakfast DJ in its history. Behind the smiles, the rivalry runs deep and there is a certain calculated timing in all this I feel! I’d love to have heard the phone calls between the Radio 1 and Radio 2 press offices today!

Chris
I’ve always been an admirer of Chris and his sheer devotion to radio as a medium. He consistently delivered some great radio shows on whatever station he’s been on.... OK... there were a few dodgy months at Virgin where the show (and Chris) “lost it” for a bit, but hey... haven’t we all had the occasional wobble?! He’s both a dream and a nightmare to work with, and certainly proves the point that ‘the best talent is the hardest to work with’. But he reminds me why I love working in radio.

In a period where traditional radio is coming under pressure from all sorts of digital offerings, (and providing you can set aside the politics of it all), it’s great news to have a real star like Chris heading up a flagship programme like the Radio 2 Breakfast Show.

I for one, will be tuned in.

Wednesday, 14 May 2008

"If Winning isn't Everything, Why do they Keep Score?" - Sony Awards 2008

The starter was a nice warm vegetarian tart of some description… the main course was lamb… (I think) … and frankly the desert could have been anything, as by that stage a good quantity of the ‘table wine’ had been consumed!

I’m of course referring to the obligatory meal that accompanies UK radio’s annual back-slapping fiesta, otherwise known as the Sony Radio Academy Awards, or Sonys… or as most of the newspapers like to call them, the ‘Radio Oscars’! (It helps people understand it’s an awards ceremony I believe!)

The BBC traditionally does very well in these awards for 2 reasons. First, they make really good programmes and second, they don’t have much competition in areas such as drama and features and their news output is plentiful to say the least. This year didn’t disappoint for them, with the Beeb picking up around twice as many Gold Awards than the commercial sector.

A glut of famous names picked up some top awards, Jonathan Ross (who’d obviously been tipped off because he doesn’t turn up if he doesn’t win!) for Music Radio Personality, Russell Brand (who’s show I’m now warming to) for Entertainment Award… and Chris Moyles for Breakfast Show. His speech was a little like his show… very funny in parts, but there was no-one there to say ‘enough… move on!’ Even host Paul Gambaccini was unnaturally lenient in allowing the ceremony to drag on endlessly as Chris introduced his team one by one. Mind you, as he said himself, he’s unlikely to be there again, so he’ll make the most of it. The presentation of the award by his Mum and Dad was either really quite a sweet moment that brought a tear to the eye, or a hideously naff stunt designed to create a very crass ‘This Is Your Life’ moment onstage. You can watch it again and make your own mind up!

Commercial Radio did well in categories more suited to it’s natural home, like The Competition Award, Promo Award and Community Award which was picked up by Capital’s rather wonderful ‘Lights Out London’ initiative. Two awards that are normally very dominated by the BBC are Music Broadcaster of the Year and Specialist Music Award… but it was nice to see that the former went to Andi Durrant of the Galaxy Network, and the later to Krystle, a DJ I had the natural foresight and wisdom (!!!) to put on the air several year ago when I was PD at Forth. Being mentioned in her acceptance speech was really lovely and I have no doubt she’ll move on to bigger and better things in the years ahead. Well done Krystle. And beating Zane Lowe is no mean feat either!!

The list of guest presenters was varied as ever ranging from Joan Collins to Christopher Biggins… Boris Johnson to Tony Benn… and a genuinely moving appearance on stage by Edwin Collins, who’s still recovering from a cerebral haemorrhage he suffered several years ago. It kinda put the whole thing into perspective for me.

Needless to say, the merriment continued after the ceremony. Why the resident DJ feels that by playing the cheesiest 70’s disco records the dance floor will fill up is still beyond me, however he persisted with ‘Heaven Must Be Missing An Angel’ and ‘Young Hearts Run Free’ until some poor 'Tape Op' wearing a rather ill-fitting dinner jacket was dragged onto the floor by a tanked up Sales Exec to begin what, at best, could be described as “shit dancing”!

And as the strains of ‘Rock the Boat’ wafted through the barmy May night, and the queue of cabs lined up hoping for an expenses funded fare to Reading, we left it for another year, safe in the knowledge that we’ll all be back again in 12 months time.

Ghandi once said that there are two kinds of people… those who work and those who take the credit. He suggested being in the first group, as there was less competition there. On the evidence of Monday night, there are plenty of people who work, and work very hard… and it was nice to see them actually get the credit for a change.

Monday, 4 February 2008

"What's the Story, Morning Glory?" / "Spinning Around" - RAJAR Qtr 4, 2007


So what did the RAJAR fairies deliver for Qtr 4 2007 then? What was the big talking point this quarter? And how was it spun?

Well, it’s difficult to get away from the continued dominance of BBC Radio against commercial radio (perceived and real!). Chris Moyles record 7.31 Million listeners is an excellent result… no doubt about it, and he’s within shouting distance of Terry Wogan on Radio 2 with just 420,000 listeners in it. If, as I predict he will, overtake Wogan, then we can expect the Radio 1 PR machine to go into overdrive!!

It was interesting to see how commercial radio was fighting back against the might of the BBC in terms of PR. (As we know, sometimes the figures are irrelevant, merely what do stations want readers to believe!) In particular, the point that Johnny Vaughan on Capital and Jamie & Harriet on Heart both beat Moyles in London.

I won’t bore you with the figures (this time around!) but even when you fiddle around with the different times the shows are on, there is certainly a preference for commercial services at breakfast verses Radio 1.

Mark Browning, PD of Heart 106.2 was quoted on Media Guardian saying:

"The London market tells us that if commercial radio was freed up from the regulatory burden it is constrained by so it could share best practice across the UK then the real winner would be the listener. Where listeners have a strong commercial radio proposition, and a strong BBC, as they do in London they are choosing commercial radio. We need Ofcom to let us give listeners more choice and better commercial radio."

This is not an accidental ‘off the cuff’ remark by the very eloquent Mr. Browning! It seems that at any opportunity commercial radio is going to lobby Ofcom for a more liberal approach to what it can and can’t do, with the endgame surely being a networked ‘Jamie and Harriet’ and ‘Johnny and Denise’. The theory being that only networked big name talent will be able to compete with Radio 1 in local markets. It’s an interesting thought and one I will expand upon in a future posting.

Meanwhile, there were the usual ups and downs for most stations / groups and naturally they tried to make the best of what they had in their press releases. There’s an interesting article in today’s Guardian where journalist Paul Smith discusses the tactics used by stations to put a positive shine on their figures. I’m surprised that he feels so surprised himself! (I suspect he's not that suprised actually!). Of course stations try to make things sound good!! Far be it from me to suggest that journalists (even in The Guardian) sometimes try to make a story sound more sensational than it actually is!! It’s a good piece nonetheless, and shows that PR is still such an important weapon in the battle for listeners and the figures will keep spinning!

Wednesday, 19 September 2007

"Radio 1 - Established 1967"

Every now and again, a bit of programming comes along that makes you as a radio professional (well - professional most of the time!), appreciate the time and effort that has gone into the planning and production.

This month BBC Radio 1 celebrate 40 years of broadcasting, and it would practically against British law to ignore such a milestone in radio. So, the rather smart people at the BBC got together and worked out how they were going to celebrate this. The key challenge was for them to ensure that when they looked back over their shoulder, they didn't descend into a "retro mush-fest". Things were very different in the world of radio in 1997, let alone 1967 (when I of course wasn't born... but I've heard the tapes!)

"Radio 1... Established 1967" is the sub-brand that has been created to house all things referring to the last 40 years, and instantly they're onto a winner. The "Established - insert year here" idea has worked for lots of brands... jeans, whisky, trainers, pizza restaurants!! It has a certain cool about it, without reminding us of the Summer of Love and Sgt. Pepper every time we hear it.

The on-air idents really print well and the sense of heritage around the station cuts through, particularly with the use of the old jingles etc... More importantly, the sub-brand it gives the station permission to do lots of things that provide programming and musical surprises across the output.

There are a couple of gems. The 9pm 'Legends' show, where a music star picks some of their favourite songs from the last 40 years has already delivered some great radio... with Paul McCartney and Dave Grohl... and we've got loads more to go! Hearing Macca play Fred Astaire followed by The Sex Pistols was certainly extreme variety, but worked because of the "wrapping" around it.

The decision to revisit the "Golden Hour" - that classic 'guess the year' format, has meant Chris Moyles has been enjoying himself rather too much every morning, particularly when he gets to play Nik Kershaw and Duran Duran! And don't even start on all the old jingles he gets to play. He's having a the closest you can get to a "radio hard on" every morning!! But - hey... it sounds good, so why not!

And the 40 artists recording 40 cover versions from the last 40 years is brilliant. 'Toxic' done by Hard Fi, 'Teenage Dirtbag' done by Girls Aloud etc etc. I could go on!

What Radio 1 have done in creating their "Established 1967" series of programmes and features is a demonstration of a strong concept being planned really well in advance with great production values and great branding, plus the whole station getting behind it in a big way. (Of course having a budget of over £17 Million pounds a year means you can throw a decent amount of resource at it... so you'd hope the output was of high quality!! But let's not go there...)

The point is that any station can plan well in advance and create stand out programming given the right excuse. If your station is only 5 years old, you could celebrate that. If you want to create the most exciting Christmas schedule ever, you can do that. If you want the New Year to be all about live music, you can do that.

The key is planning.

Plan ahead as much as you can and see how far you can take your creativity.

But, at the risk of sounding sycophantic, well done Radio 1. A good bit of radio.

Friday, 24 August 2007

The Heroes of RAJAR - Qtr 2 2007


As the dust settles on another batch of RAJAR press releases and UK radio stations draw up the list of people to promote... or fire, it's time to pick out the villains and heroes... and no, not the flying senator, or indestructible cheerleader types.

There were a few main stories that are worthy of mention.

Kiss overtake Capital
Congratulations to the guys at Kiss, who have finally caught up with Capital. We've certainly discussed the possibility of them catching Capital before on this blog, and now it's happened. With Kiss at a 4.5% reach and Capital dropping to 4.1% and the reach neck and neck at 1.51 Million, there were probably two very different meetings taking place at the respective stations on RAJAR evening last week.

Kiss's offering continues to sound fresh and connected to young London and the new morning show with Rickie and Melvin is starting to take root. For me, Capital's issue is not with the execution of the format. They've gone young and the product sounds fine. No, it's the strategy that I find difficult to understand. Capital seem to have left Heart and Magic to slug it out at the top, while settling for trying to pick up Radio 1, Kiss and Xfm listeners along the way. The move is bold... but I can't help thinking it won't get you to Number 1 in London again. The team in Leicester Square have a real battle on and I hope Steve Orchard's words of August 2006 where he the "believed the station had hit rock bottom", don't get rolled out too much over the next few weeks. The city certainly gave GCap a good kicking, with quotes like "GCap has marketed Capital in this quarter, so there can be no excuses for these results!" Ouch!

The Jazz... Nice!
Debuting with 334,000 listeners is a pretty nice job! Taking a listen to the station, the formula is the same as has been applied to Classic FM; take a specialist music genre, and make it as accessible to as many people as possible. Classic FM took the fear out of listening to classical music... and The Jazz will do the same for Jazz.

More for Moyles
If I was sitting in GCap Towers... or even EMAP towers for that reason, I'd find the biggest pot of money I could lay my hands on and send it all to Chris Moyles on the condition that he came to a daily show for the network I was running. (Believe me... it's been thought of!) His show goes from strength to strength and is testament to hard work, good production and 'letting the talent get on with it'. With 7.26 Million listeners a week, he can play his "Saviour of Radio 1" jingle as much as he wants now!

The Future is... Digital
More people are listening to radio and more are using digital technologies to do this. 2 Million 15-24's listen on mobile phones and almost 13% of total listening by all adults is now done on either DAB, DTV or the internet. Let's compare this figure in 12 months time to see the continued growth, and then factor in the Channel 4 effect too!

So, as ever... always something interesting to mull over. Now if only we knew someone who could paint the radio future... Hmmm... I wonder...